The dark brown of charred wood for beams, stocks and burned ruins. Seventeen milliliters of acrylic in a dropper bottle.
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The shade SCORCHED WOOD aims at wood that has been through fire or through decades outdoors. It is darker and grayer than a fresh plank, but still a long way from black, so it keeps a readable definition. It finds use on the roof trusses of burned-out buildings, on charred beams in a ruin, on old wagon crates, on rifle stocks and on the wooden parts of guns and carts.
A dry brush gets the most out of it. Almost all the paint is wiped off into paper and the rest is drawn over the edges and the raised fibers, so the texture of the wood rises by itself and does not have to be painted line by line. In the opposite direction it works as a dark base, over which brightening is done with a sand and a beige in thin stripes along the growth rings.
A burned beam never has one color. A more convincing result comes from alternating two or three dark tones next to each other than from a uniform coat, because fire does not act evenly. It is also useful to leave several places almost black, as though the flame had burned there longer, and to pull the edges out instead with a dry brush toward the gray of ash.
On small parts, such as stocks or tool handles, a single thin coat and a light brightening are enough. A heavy coat would flood the engraving on small components and once dry the part would lose the sharpness that the maker of the kit gave it.
Naši poradci a znalci sortimentu jsou připraveni odpovídat na Vaše dotazy (Po–Pá, 8–18 hod).
Zeptejte se na co potřebujete, odpovíme co nejdříve.
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