A red-brown burnt earth tone for leather parts, wood, mud on tracks and a base for rust. The hard dried film takes further treatment.
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Red-brown sits exactly between rust and leather, which makes it a surprisingly versatile shade. Figure painters use it for bags, belts and boots, vehicle builders lay it under corrosion on exhausts and apply dried mud on tracks with it, and diorama builders mix bricks and clay renders from it. On its own it is saturated enough to carry a surface, and at the same time dark enough to serve as a shadow under lighter brown layers.
A brown of this kind also turns up in railway modeling, where it suits ties, embankments and rutted field tracks.
Once cured it forms a smooth film that copes with a great deal. It takes light sanding without wearing through to the plastic, it takes polishing with a cotton swab and washes afterwards. That is exactly why it proves itself as an underlayer for techniques where the top color is deliberately rubbed back or etched, that is, where a softer finish usually fails.
On small parts the work is done with a brush, but one rule applies: finish a stroke in one go and do not go back into paint that has begun to set, or the previous layer will dissolve and lift. For larger areas an airbrush and thinning with lacquer thinner are safer. Anyone who paints details often will appreciate that a 10 ml bottle lasts a long time thanks to the saturation. Always stir thoroughly before use, because brown pigments settle quickly.
Naši poradci a znalci sortimentu jsou připraveni odpovídat na Vaše dotazy (Po–Pá, 8–18 hod).
Zeptejte se na co potřebujete, odpovíme co nejdříve.
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