An acid, unhealthy-looking green from the Green Stuff World acrylic range. It aims at slime, mutant tissue and glowing features of science fiction machinery.
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The shade is named after the bouncy substance from the film and looks exactly like it: artificial, acid, unhealthy to the eye. It does not fit into a palette of uniforms or foliage, because it is not trying to. It belongs everywhere a surface on a model should look out of place and catch the eye before its surroundings do.
Where to use it: the body of a slimy monster, the surface of a waste tank, the tentacles of a deep-sea creature, the inside of an open maw, veining showing through the skin of a mutated figure, or light strips and indicators on fantastic machinery. On an otherwise soberly pitched figure a single patch of this green is enough and the whole composition suddenly has a focal point.
The base decides: rich green pigments have low covering power on their own and over a black primer they slip into an illegible gray-green. Apply a light base first, ideally bone, sand or light gray, and only then the green over it. The difference is evident in the very first coat.
Thinning and mixing: the material is thicker than it looks at first glance and takes a fair amount of water. Two or three fine coats look better than one thick one, which smothers the relief. A drop of yellow will make a luminescent core, while a drop of brown will make a calmed swamp green suitable for algae and mold.
The surface: it dries matte, so glazes and dry pigments sit on it without trouble. If the slime is meant to look wet, coat only selected spots with gloss varnish. The contrast between a matte and a glossy area does more for an impression of wetness than the most carefully chosen shade.
Naši poradci a znalci sortimentu jsou připraveni odpovídat na Vaše dotazy (Po–Pá, 8–18 hod).
Zeptejte se na co potřebujete, odpovíme co nejdříve.
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