Violet Line miniature paints

Violet Line is the Hataka range intended for miniatures and figures. It is built around the shades that are hardest to mix by hand, rust above all: here it is broken into several steps from a dark shadow through the base tone to a light variant, ready to be layered straight from the bottle.

Strong colours such as a red-violet keyed to standard markings sit alongside them. How to use the rust steps on a model, and where rust belongs at all, follows below.

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5 products
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HatakaHTK-D017

HTK-D017 Light Rust

HTK-D017 Light Rust is a highly pigmented water-thinnable Hataka acrylic paint in a light rust shade for painting figures and models.
In stock
3.96 €
HatakaHTK-D016

HTK-D016 Rust

HTK-D016 Rust is a highly pigmented water-thinnable Hataka acrylic paint in the basic rust shade for painting figures and models.
In stock
3.96 €
HatakaHTK-D015

HTK-D015 Dark Rust

HTK-D015 Dark Rust is a highly pigmented water-thinnable Hataka acrylic paint in a dark rust shade for painting figures and models.
In stock
3.96 €
HatakaHTK-D014

HTK-D014 Rust Shadow

In stock
3.96 €
HatakaHTK-D013

HTK-D013 Red Violet (RAL.4002)

In stock
3.96 €

Why rust is painted in steps

Rust is not one colour. On real metal you see a dark layer eaten into the material, a mid brown-orange tone and a light spot where the crust is flaking away. Painted in a single shade, such a surface reads as a brown stain. A range that offers shadow, base and highlight separately shortens the route, because there are no ratios to guess and the tones already sit together.

The method is then simple: darkest tone into recesses and around rivets, mid tone across the affected area, light tone only on small points in the middle. Three layers do more than an hour spent mixing one correct shade.

Working with the range

Rust belongs only where it forms

Water sits in seams, on lower edges, around rivets and wherever the finish has been rubbed through. Rust spread across an entire surface looks unconvincing. It helps to look at the model and ask where water would run and where it would linger longest.

Layering instead of mixing

Because the shades are already graded, nothing needs adjusting on the palette. Work from dark to light and let each layer dry. Fine modelling brushes are the tool for it. Apply the light tone sparingly, otherwise the whole area pales and the depth disappears.

Strong shades with a standard code

Colours referencing standard markings suit more than figures: they serve on fittings and vehicles where you need one specific tone. Check the code against the instructions or your reference before buying and save yourself an argument with a colour chart.

What suits them

Themed groups of shades from the same brand are in the Hataka paint sets category.

Frequently asked questions in category Violet Line miniature paints

Tři stačí na většinu prací: tmavý do prohlubní, střední na plochu a světlý jako akcent. Čtvrtý tón má smysl až u velkých měřítek, kde je napadené místo dobře vidět zblízka.

Tam, kde se drží voda a kde se odřel nátěr: do spár, pod nýty, na spodní hrany, ke svarům a k ostrým rohům. Rovnoměrná rez po celé ploše působí nevěrohodně.

Je to běžný postup. Malbou se udělá tvar a hloubka, pigmentem pak jemný prach kolem, který přechod změkčí. Pigment se nanáší až na zaschlou barvu a nakonec se fixuje.
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