Green camouflage bands are harder to run on a curved hull than on a wing, and the lighter green Green RLM82 FS34096 from Lifecolor is a suitable shade for such work.
The brown-violet Brown Violet RLM81 FS34083 from Lifecolor is a shade for modelers who do not want their large areas to be one color and are looking for a tone to play a hull up with.
Submarine hulls and other very dark areas call for a shade that is dark but not black, and that is exactly where Black Green RLM70 FS34052 from Lifecolor aims.
Lifecolor Non Specular Intermediate Blue FS35164 is a water-thinnable matte acrylic, a non-specular intermediate blue naval shade matching the standard FS 35164.
The saturated dark blue Non Specular Sea Blue FS35042 from Lifecolor is the shade for large dark areas, on which it is decided whether the detail stays visible on a model.
Wooden decks are among the finest things a ship model offers, and the light sandy shade Tan FS34201 from Lifecolor is a good starting tone for painting them.
The superstructures of ship models are full of surfaces that stand against each other at different angles, and that is exactly where the gray Grey Reflectance High Low FS36373 from Lifecolor comes into its own.
The light neutral gray Light Grey FS36251 from Lifecolor is the shade for the large continuous areas of ship models: the sides of hulls above the waterline and the extensive walls of superstructures.
The darkest tone in an interior is not meant to be black — Lifecolor Dark Grey FS36081 is a dark gray with which shadow is made on the floors of bays, behind panels and in the corners of a fighting compartment.
Small parts inside a model behave differently from large areas, and the gray Lifecolor Grey FS36176 is made for them — for levers, consoles, bezels and small units.
The mid gray Lifecolor Grey FS36270 is the linking tone in an interior — it neither disappears in shadow nor overrides the details, and it therefore suits the surfaces under glazing.
The insides of landing gear doors, hatches and service covers are the boundary surface between the outside and the interior — and the light gray Lifecolor Grey FS36495 is well set for them.
Instrument panels, side consoles and seat frames — that is where the dark gray Lifecolor Dark Grey FS36118 belongs, holding the role of the main dark tone in a cockpit.
Inside a bay light is missing — and that role is taken over exactly by the light gray Lifecolor Light Grey FS36622 , with which the edges, frames and ceilings of closed spaces are drawn out.
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